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"In The Long Run"
If you imagined that Paul Field spent all his time writing hit musicals and penning pop tunes for other well-known artists (Ricky Valance, Rebecca St James, Tammy
Wynette and Michael English to name just a few), then this production may take you by surprise. On his first solo album in over three years, Paul reveals the wonderful, deep earthiness of his own vocal prowess. His really is an
impressive voice, comparable to the rootsy sounds of Rick Elias, Jo Vogels, and, perhaps, Rich Mullins. Another notable feature of this album is the quality and diversity of the songs; each written by the man himself (or co-penned
with a variety of fellow-musicians), the lyrics are philosophical and spiritually profound, as they honestly search for meaning in life ('Faithtown', 'Moving target'), express personal doubts and insecurities ('Have you ever felt
like this') and reminisce on the probable shallowness of a life of fame ('Who wants to be king of rock & roll'). Tunes
like the infectious 'Moving target' and ambient 'Patchwork heart' (co-written with wife Ruth Field) are
sheer poetry in musical motion - and, like most others, are songs worthy of serious reflection.
Phatfish's Louise Fellingham provides impressive harmony vocals on a couple of tracks - other backing vocals, along with
co-production and most of the instrumentation (guitars, keyboards and programming) come from Mr. Field himself. For those unfamiliar with this veteran's artwork, "In The Long Run" will make a delightful and perhaps
surprising introduction. For, to put it succinctly, this is an exquisite recording.
Review by tom lennie |
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